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Although this version is in color, features a different cast, and is set in 1998, it is closer to a shot-for-shot remake than most remakes, often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over.
Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo.
It is a modern remake of the 1960 film directed by Alfred Hitchcock, in which an embezzler arrives at an old motel run by an insane killer named Norman Bates.
Both films are adapted from Robert Bloch's 1959 novel of the same name, which was in turn inspired by the crimes of Wisconsin murderer Ed Gein.
Arbogast calls Lila to update her and tells her he will contact her again in an hour after he questions Norman's mother.
Arbogast enters Norman's house and, at the top of the stairs, is attacked and murdered by the Mother figure.
But Sam, having regained consciousness, subdues him with Lila's help. Simon Richmond tells Sam and Lila that Norman's dead mother is living in Norman's psyche as an alternate personality.
After the death of Norman's father, his mother found a lover.
Deputy Sheriff Al Chambers is perplexed to hear that Arbogast saw a woman in a window, as Mrs. Norman confronts his mother and urges her to hide in the cellar.Lila sees him and hides in the cellar where she discovers the mummified body of Norman's mother.Wearing his mother's clothes and a wig and carrying a knife, Norman enters and tries to attack Lila.A highway patrol officer awakens her and, suspicious of her agitated state, begins to follow her.When she trades her car for another one at a dealership, he notes the new vehicle's details.