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If you’ve moved house in recent memory, this one’ll hit you where it hurts., but it also has plenty of ideas of its own – and at least half a dozen moments that’ll make your heart leap into your mouth.It’s a sensitive and horrifying portrayal of grief, with a sense of humour as dark as the inside of your eyelids, and some extremely upsetting gore. When she moves away from London to a tiny country cottage, Norah (Anna Cropper) expected the change to be a bit strange, but nowhere near as weird as it ultimately turns out to be.
This film’s got it all: foreboding mythology, grotesque body horror, and the most amazing line of foreshadowing dialogue you’ll ever hear.
According to their daughter, the mirror is haunted, and something supernatural caused their deaths.
Now Tim (Brenton Thwaites) is out of prison, Kaylie (Karen Gillan) wants to prove he was innocent by conducting an experiment on the mirror…
Turns out the house has got secrets, and, yeah, a ghost.
The dialogue in this film is incredible in a very 1940s kind of way, and the tone can occasionally be accused of jolliness, but it’s also got its moments of proper creepiness. Director Guillermo Del Toro insists this isn’t a horror film but is, instead, a gothic romance.
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It’s a little bit A tyrannical landowner is plagued by, well, a literal plague in Roger Corman’s adaptation of an Edgar Allan Poe story.